Sorry for cumming too quick, baby, I was swept away by the feel of your fingers sliding between my folds, and your kisses between my shoulder blades, and the whisper of your breath on my neck as you murmured you'd missed me.
The first week of classes is officially complete … and, holy shit, am I tired.
My first class with Cornel West was on Tuesday, and his presence is… stunning. He holds forth in the classroom, and like the best of Baptist preachers knows how to move his body and use his voice to draw you in, raise the energy in the room and hold that energy for three hours. He is intellectually powerful, and his spirit is Titan. Coincidentally, I met him on the street after class. I was smoking a cigarette while speaking with another student when he stopped to have a chat. I was amazed by the change in him; he was gentle, and very, very PRESENT WITH YOU IN THAT MOMENT. And I don’t mean present with you like you feel you’re under a microscope – I mean that he is THERE. The only time I’ve felt that way is a few years ago when I was running from soldiers with a group of teenage boys in one of the conflict zones I work in — we were running, and I felt totally in my body but at the same time to totally present with these boys…. we were TOGETHER.
These brief interactions with him gave me a lot of food for thought as I rode the train to my room that night. I was thinking about how so many of my seminarian friends perceive me — as the loud mouth that makes them giggle in delight. I never particularly understood that last part – why my sassy mouth would bring such glee. As the train was cutting through the city I thought about the contents of what I say – that my “loud mouth” is often a product of my frustration. You can say I have a particularly low tolerance for bullshit – and you know some shit is about to go down when I say something along the lines of, “let’s call a spade a spade,” which is always followed by me calling it how I see it.
And then it hit me; my goal in coming to this particular seminary was to “find my prophetic voice.” Prophets, as Heschel described them, are the scream in the night. Over the last year I’ve gotten less and less patient, which has caused me to become louder and louder in the classroom and elsewhere. Paralleling that, I’ve noticed that my care for offending people, pleasing them, comforting them, their judgement or their discomfort has plummeted to zero. I just don’t give a FUCK. I have no hesitation in calling someone or something out on their bullshit. I’m done.
And that’s when I realized that I’ve found my Prophetic voice. That I’ve become so deeply rooted in my own work and message, that everything else has burned away – that I can see clearly and move forward.
I was once convinced
by an ex to go with him
to a music festival.
Three days of speed metal
during the daylight hours and
techno and trance at night.
We spent two days high
on acid, laughing ourselves
silly at random shit.
When we were finally
able to fall asleep, I was
woken up hours later by
the sound of rushing
water and when I opened
my eyes I saw my purse
float by. I turned over
to find him standing at
the mouth of the tent
and pissing into it,
rather than out of it;
“Friend,” I asked in my
gentlest tone, “is this
prudent? Do you think,
maybe, this is a bad
decision?” He looked
at me, a mixture of
confusion and defiance,
and without hesitation
aimed his dick at me
and pissed between my
eyes. That day I learned
you don’t ask questions
in these situations, and
you can’t argue with
a pissed off pisser.
‘God, I hope she doesn’t shit on me.’
That was the stray thought that flitted through my mind like an alley cat as I held Calva’s head off of the tiled floor.
I was the first to see her eyes roll and her face contort into the ghoulish carnival mask that foretold of the oncoming seizure – facial muscles jerking, mouth sucking at the air like a fish out of water – but a blockade of chairs and anxious lookers-on prevented me from being swift enough to stop her head from slamming onto the cheap tile floor with a crack that echoed through the room.
It was by luck of the draw that Nancy – another Worker’s girlfriend who was an RN – was visiting at that time, and that she was the first to Calva’s side. I hovered dumbly over the both of them, never having seen someone seize before I had no idea what to do.
“Go get something to cover her bottom half,” Nancy’s voice snapped me out of my useless fretting, and gave me a task to focus on. Calva had been wearing a dress, and was now familiarizing half of the shelter with the exact shape and texture of her genitals.
“Now what?” I asked once I ended the peep show.
“There’s really nothing you can do for someone having a seizure. You just turn them on their side and let them go,” she replied with a glance to her watch.
I held Calva’s head in my hands, her course buzz cut tickling my palms as I willed my comfort into her flesh. The seconds crept into minutes as her body continued to jolt until, bit by bit, her body relaxed and her breathing became steady.
Of course that’s when the ambulance came.
The slamming of the stretcher caused Calva’s eyes to snap open, and whip wildly around the room.
“It’s ok,you’re at the shelter,” I cooed as they roughly hoisted her body on to the stretcher.
“I’m clean! I’ve been clean for years! Don’t let them put my in jail!”
“Calva… CALVA!! You’re not going to jail – you’re going to the hospital, you had a seizure.”
“Shit, that’s all? Well, let’s go!”
Like almost all the other authors I’ve written about on this blog, Manny and I met on Twitter. I think we were following each other before I sent out the call for book recommendations – but he did respond to my call with his own book, Dead Dogs.
- Moonshine Cove Press
- 151 Pages
- 6×9 dimensions
- $14 price point
- Matte cover with glue binding.
“There are bodies to be disposed of and all the local dumpsters are full. There are armed terrorists in the backseat … and they’re all smoking sherm. Yuppies have taken over East Atlanta, and the drug dealers are at war…
Read the misadventures of two Atlanta misfits involved with a circus of outlaws and revolutionaries, coerced into various criminal activities.”
So, I want to acknowledge something. One day, while I was reading this, Manny just so happened to tweet that English wasn’t his first language – that he had to learn it as he grew up. That bit of intel forced me to sit back in my chair and blink rapidly. English is hard enough to learn how to speak, but to write it (and write it well) — the odds are against you.
This dude wrote an entire god-damn novel in a language that he had to learn — and wrote it well enough for me to not even question whether or not he was a native speaker. God DAMN! Manny, you got the biggest set of brass balls I’ve ever encountered — and I mean that in the best possible of ways.
Moving on to the story —
Dead Dogs is a WILD ride! My head was spinning throughout the entire book, the most common questions being: What the fuck is going on?! Who the fuck is this?! What the fuck just happened?! Where the fuck are we?! What…. the… FUCK?!!! To say this book is dizzying is the understatement of the century. It’s fast-paced, it’s gritty, it’s good. If you dig pulp, grit lit, transgressive fiction — you’ll love the hell out of this.
I do, however, want to point out a MAJOR miss for me — the editing.
This book jumps backwards and forwards in time – think of a Guy Richie movie – and while there are three parts to the book it NEEDS to have individual chapters to help that transition between time and space be more definitive and obvious to the reader. There were many times I had to flip backward to figure out the timeline of events – which was frustrating because it slowed the pace of the book.
Like I said, this is not a writing problem – the writing is good and solid – this is an editing problem, and that falls at the feet of Moonshine Cove. The editing just fucked this book for me — and I’m pretty pissed about that because it’s a damn good story.
I really look forward to the sequel to this book, which will be published by Outcast Press next year (I believe). I trust their editors, and know that what comes next in the Dead Dogs series will be amazing!
Now, don’t be a dickhead buy Dead Dogs here.
I watched him - as beautiful as any woman - from the doorway of the bathroom as he smudged eyeliner along his ice blue eyes, an artform more men should learn. When he glanced at me in the mirror, I wisecracked "You want some lipstick with that?" Causing him to arch his thin brows in defiance, "If you weren't being such a smartass about it maybe I would."
I'm dreaming of
earth and a
I'm dreaming of
vultures - those
winged friends -
in slow circles,
as my body
lies still and
the death and
around me -
rising up, and
I was thinking about New Orleans today. My New Orleans, whose streets and alleys are as personal and intimate to me as a pussy stroke. Far away from the blaze of Bourbon where the neon children live their lives that burn bright, flicker, then die. Away from the tourist traps where Black men are forced to shuck and jive for those who are simultaneously lily White and scaly with sunburn, and who are all too pleased to press a dollar in a palm that’s butter mellow or burnt sienna to ease their consciences of what their granddaddies did and what their grandbabies will continue to do. Far, far outside the districts where the night air is weighted differently; the sound of the Zydeco creeping on the wind like a ghost in the alleyways. Where the slow drawl of, ‘how you doin’ ‘chere?’ is as satisfying as the crunch of new gravel under the heel of my boot; good for the ear and the Soul. Where the familiar smell of smoke, stale beer and sawdust floors feel like home, and I can dance, and dance, and dance.
David and I met on Twitter – not, actually, through poetry posts but – through an argument I was having with some shit-head bible banger that was trying to convince people that they were right in their interpretation of Scripture. (Author’s Note: they weren’t.) I noticed he liked Bukowski, and had some Catholic Worker references on his profile so, of course, we buddied up.
Even though I called for people to pimp their chaps, David never did. It was like pulling fucking teeth for him to link me some shit to read. Finally, after much harassing he shot me the link to his chap Landscapes of You and Me.
- 5 x 8 in dimension.
- 47 pages.
- $10.44 price point.
- Printed with Alien Buddha Press.
- Cover art by Red Focks
- Standard cardstock cover and glue binding — which did not crack.
- Standard 20 lb weight paper, and 10 Garamond font (assuming).
This is another chap printed on Amazon publishing – through a press, not self-pressed – and I’ve described the cover, paper, print, and binding quality enough times that ya’ll know the fucking drill.
The back of the book states that this is collection of love poems with some Taco Bell references and that I will want to drunk text my ex after reading it. (Incidentally, I’d really look into that … I’m guessing NO ONE wants to see my ass after eating Taco Bell, just sayin’.)
Having read some of David’s work in Outcast Press’ inaugural issue I was expecting something much different than what I got – something a little darker, a little crunchier. Needless to say, this collection came out of left field for me.
Reading it is like being in the mind of a caffeinated toddler; a hyper-active rambling that stretches on into the unforeseeable future which gets slightly more absurd as you go on. And that is exactly its charm.
Reading this filled me with a sense of nostalgia; a sort of hazy, teenage-summer-love sweetness that’s awash with the pinks and oranges of sunsets, but tinged blue at its edges with a sort of bittersweet loss. It brings me back to memories of days spent by the pool or the lake, the electric feeling of simply being close to the person you had a mega-crush on and that sense of subconscious urgency to memorize everything about the person before they move back home for the summer.
Overall, I liked the collection. I didn’t LOVE it – it wasn’t earthshattering, ground breaking, stomp-your-feet-and-clap-your-hands-for-this-pussy kind of excellent. But it’s good.
Given that I’ve seen David’s pieces in Outcast, as well as talked about his other pieces in private I want to say this: David, trust yourself and your writing — and take a risk with the wild shit. I’m still waiting for that pissing poem, brother.
I want you to cum inside of me and say 'fuck it' to the consequences because the idea of your biology and my own - of cell and tissue, swirling strands of DNA co-mingling inside my body has become the height of romance.